Perth artist Janine McAullay Bott works with weaving – creating objects and figures from palm fronds, grasses, reeds and other natural and man-made materials. Drawing directly from her Noongar heritage the works reference the methodologies and stories of her ancestors. Weaving is part of my Noongar heritage – my great grandmother would make brooms to [...]
We do enjoy books about making books, and we thought we’d share with you a couple of our favourites. Indie Publishing: How to Design and Produce Your Own Book, is a great how-to manual, detailing everything to do with publishing your own book, from design through to distribution. Written by Ellen Lupton, it’s published by [...]
Vivienne Glance, co-author of A Simple Rain, is Arts Catalyst’s writer-in-residence during September 2012. She is leading A Conversation on Science in Contemporary Performance, Wed 19 Sept, Arts Catalyst, London. This informal conversation on science in contemporary performance will bring together a small invited gathering of artists, writers, scientists and theatre practitioners. http://www.artscatalyst.org/experiencelearning/detail/science_in_contemporary_performance/ We caught [...]
While the weather raged outside, inside the enticing book-lined walls of Crow Books, our latest book, A Simple Rain, was launched last Monday. Award-winning Western Australian poet Kevin Gillam launched the book, describing his process of re-visiting the book recently, as one that opened up new ways of reading this particular combination of art and [...]
Please join us on Monday 6th August 7pm at Crow Books 900 Albany Highway, East Victoria Park, Western Australia for the launch of A Simple Rain. The book will be launched by award-winning Western Australian poet Kevin Gillam. RSVP/for more information contact teapot@lethologicapress.org Download the A Simple Rain flyer.
Our book birdlife has been reviewed in the latest edition of Landscapes, the Journal of the International Centre for Landscape and Language, at Edith Cowan University. The edition features articles by Jorge Goldfarb and Adam Newcomb and poetry by Andrew Burke, Liana Joy Christensen, Marten Clibbens, Mark Dickinson, Niall Lucy, Edric Mesmer, Glen Phillips, Rose [...]
We are very excited that the cover of the current edition of Westerly Magazine features artwork by Lethologica Press’ Perdita Phillips. The photograph is taken from the same series that is featured in our latest book, A Simple Rain. It exists as a close-up of red rock jutting through icy vegetation found on the Athabasca [...]
Lethologica Press are rather pleased to have discovered The Triumph of the Commons: 55 Thesis on the Future – a collaborative text and art book by fifty-five artists. Presented as an online book, short pieces – described as ‘theses’ – by New York writer Leland Maschmeyer present various futuristic concepts, that have been responded to [...]
WritingWA recommends… Together, Vivienne Glance’s abstract, evocative short poems and Perdita Phillips’ equally evocative photographs create a shifting, unfolding narrative of the connection between place and mind. The photographs, taken at the moraine of a glacier, present a zone where the immutable grandeur of the environment might make the transience of human existence acceptable. As [...]
Lethologica Press are currently most taken with artist Nigel Heyler’s CrayVox. Existing as an atlas-cookbook, the book evocatively charts time spent last year by the artist deep amidst the briny fishing world of the Houtman Abrohlos Islands. Nigel’s explorations of the Islands emerge in beautifully rendered maps, paired with local crayfish recipes and Chinese calligraphy. [...]
James Kerr contributed two books to the Western Australian Photobook Survey. In 2008 James Kerr travelled to Thailand and the UK to re-connect with his origins. Primarily a journey to visit the town of his birth in Yorkshire, which he had not seen since leaving as a very young child, his visit took him to [...]
Contradiction Press‘ Is this bioart? Dedicated to junk dna and scholarship features the distinctive illustrations of Sean Morris combined with the acerbically jolly wit of the anonymous artlover: The quest of the art student/art historian/curator/art theorist/artist trying to define a genre of art which has over recent years become ubiquitous within academia and sections of [...]